Nagdecht – Personal Space

Leander getting close and personal with LoroughDifferent cultures have personal space bubbles. In Nagdecht, physical proximity is a large indicator of how close two people are mentally because physically touching is considered important to bonding.

For that reason it’s not unusual for Leander to have a lot of physical contact with his dad. It can come in many forms; from hugging, to sleeping next to each other to wrestling. Leander’s desire to be close to his father is seen as a good thing and an indication that they have a strong relationship.

In the same way, how people physically interact is usually an indicator of the type of relationship they have.

Where people are placed in relation to other people is also a symbol of how important they are. In Nagdecht’s castle, the king and the two generals sleep on the top floor, putting them above everyone else. General Glaive’s personal soldiers sleep just one floor below them; clear evidence to the rest of the kingdom that they’re the most highly ranked of all the troops, even if they have no official titles declaring it so.

Leander and Lorough have a highly unusual setup in their house. While Lorough sleeps in the basement, Leander sleeps on the second floor.

(Sketch drawn by Lylith.)

Charity: St. Baldrick’s Foundation

More children lose their lives to cancer than any other disease. Over 80% of children diagnosed with cancer these days will survive because of cancer research; but even then most will suffer from lifelong health problems because of the treatments. That’s why the St. Baldrick’s Foundation is raising money to continue cancer research for children. The St. Baldrick’s Foundation is the largest private funder of childhood cancer research grants.

As we all know, one of the common side effects of treatment is hair loss. That’s why the St. Baldrick’s Foundation hosts events where people voluntarily shave their heads in support.
In addition to that, Locks of Love can use hair that is 10″ or longer to create wigs for children suffering from illnesses.

People who want to show support can look up an event near them on the website. It’s possible to volunteer to have your head shaved or help with the shaving.
People who don’t want to do either of those can still show support by making a donation.

I will be having my head shaved on March 20, 2013, and I strongly encourage anyone with any money to spare to make a donation. Any small amount will help, even $1, so please help out!

Thank you for your time.

How in-depth should a fictional world be?

Some authors have a vague world with little explanation for how that world came to be or why, while others will know minute details about their fictional worlds but never have a reason to bring them up.

There’s pros and cons to both. Readers might enjoy filling in the blanks when trying to figure out why a culture in a book works the way it does. This can be fun when if the author drops hints that lead to a logical conclusion (Ex. Only 10% of the population is female, therefore women are highly valued and few men with have an opportunity to be with a woman.) On the other hand it can be frustrating when it doesn’t make sense (Ex. Only 10% of the population is female, but women have no value and are readily killed off.) In the second scenario it’s hard to figure out how people have managed to survive and without an explanation from the author it looks poorly thought out.

Then there’s the detailed worlds. Knowing a world inside and out can give the author a great opportunity to flesh out a full story. “Fifty years ago A happened which led to B which led to C…” Writers can make it clear that they’re not making up new facts as they go along; their world has a full history and rich cultures. The con being that it can be easy for an overzealous author to infodump everything they know. Perhaps they know that a toilet on their world flushes by pulling a lever on the floor, and they shoehorn it into the story, leaving the reader wondering why they just read five paragraphs about how a toilet works. This detail can be fun; maybe a character trips over the lever and falls in the toilet. But if it’s written into the story for no reason it can create needless filler that will bore readers.

I’m the second type of author and created this blog to jot down information that wouldn’t fit into the books. What about you? Which way do you write? As a reader which do you prefer? What are the best and worst instances you’ve seen for both?

Ellora

Some sketches Lylith did of Ellora.

These are more manga-style than in the book. The one in the bottom corner is out of character for her, but it’s just a sketch.

Sketches of Ellora

It does give an opportunity to bring up breast sizes in Nagdecht. Female breasts aren’t considered any more sexual than male chests, so there was never any pressure for women to have large breasts. The average size is an A-cup with the occasional B-cup.
With that in mind, most swimsuits in Nagdecht are bottoms only for both men and women.